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‘Suzzanna: The Queen of Black Magic’ Is a Colorful Portrait of a Cult Horror Legend
Gizmodo
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Daisy Ridley’s Husband Cast in Adaptation of Former Reylo ‘Star Wars’ Fan Fiction
Gizmodo
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‘Arcane’ Season 2 Gets a Lavish Home Release, Just in Time for Emmy Season
Gizmodo
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‘The Odyssey’ Sold Tickets a Year in Advance and Things Got Crazy
Gizmodo
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How hard is it to remove artificial dye from food? It took Welch’s Fruit Snacks 10 years
Fast Co - Design
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How Kroger designed its catchy new sonic logo
Fast Co - Design
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★ Full-Screen Ad for ‘F1 The Movie’ in Apple’s TV App Linked Directly to the Web, and Nothing Bad Seemed to Happen
Daring Fireball
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My Favorite Books Become Movies
Brad Feld
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Apple’s Other ‘F1 The Movie’ In-App Promotions
Daring Fireball
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★ More on Apple’s Trust-Eroding ‘F1 The Movie’ Wallet Ad
Daring Fireball
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Apple Wallet Sends Push Notification Ad Pushing ‘F1 The Movie’
Daring Fireball
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Reed Hastings: The Netflix Playbook for Culture, Judgment, and Scale [The Knowledge Project Ep. #232]
Farnam Street
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Three Netflix What-Ifs: Bezos, Arnault and Blockbuster
Trung Phan
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AI Has Learned How to Capture Our Emotional Metadata
Evan Armstrong
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What the Hell is going on With Superconductors
Eric Jorgenson
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How to Blow Up a Timeline
Eugene Wei
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🎬 Netflix
First 1000
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My Favorite Movies of 2021
Eugene Wei
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And You Will Know Us by the Company We Keep
Eugene Wei
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A Review of My New Book, “Skip the Line”
James Altucher
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American Idle
Eugene Wei
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Seeing Like an Algorithm
Eugene Wei
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TikTok and the Sorting Hat
Eugene Wei
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The John Wick Universe is Cancel Culture
Eugene Wei
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The Uncanny Valley of Interactivity
Eugene Wei
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Smoke and Mirrors
Eugene Wei
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Status as a Service (StaaS)
Eugene Wei
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Invisible asymptotes
Eugene Wei
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Catch up
Eugene Wei
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Why Information Grows
Eugene Wei
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"There's no way to tell where the border is between measurement and manipulation"
Chris Dixon
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As elegantly produced as movies and as engaging as great novels
Chris Dixon
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Designing products for single and multiplayer modes
Chris Dixon
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